A Poet's Double Life

For poets working outside the literary world.


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Poet Interviews


interview

I promise a longer post on my adjustment to the Boston area. In the meantime, check me out on Andrea Blythe’s Poet Spotlight. It was an interview an introvert could love – questions posted to a Google doc that I could answer on my phone wherever I was: at the airport, sitting on the couch trying to think of a poem for the daily challenge, at the nail salon.

And in case you’ve missed it, here’s the interview conducted by Elizabeth Zertuche, a writer I met at VONA last summer.

Enjoy!


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Poet’s Resolutions 2016


resolutions

Of the three resolutions I made last year, I accomplished two fully and one partially.

  • Six poems published: I’m giving myself partial credit because my chapbook, My Mother’s Child, was published.
  • Write at least three poems for my poetry project: Although I haven’t written a poem specifically about dark matter, most of my writing this year dealt with the issue of darkness and light in some way. Kelly definitely thinks my poems are part of my next collection.
  • Go to a poetry retreat or writer’s residency: I attended the VONA (Voices of Our Nations Arts) retreat for writers of color in July.

 

With the big move to the Boston area this year, my 2016 poetry resolutions focus on establishing a poetry community in my new home.

  1. Start virtual poetry dates: These meetings have been so important and necessary for both of us, so Kelly and I will continue our poetry dates via Skype.
  2. Join a book club: Whether focused solely on reading poetry or fiction, a book club will help me find like-minded individuals.
  3. Attend five poetry open mics: This resolution will get me out and about in Boston and the MetroWest area. Only aiming for five this year to give myself time to find them and to account for bad weather months.
  4. Find a place to write: Moving means finding a new place where I can be creative, so locating a room of my own will be imperative.


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Year in Review 2015


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This year was truly a double-life year. The first half of the year focused on getting the chapbook out into the world. The second half of the year focused on getting a new job and moving to Massachusetts. One realization: big changes in one side of the double life means the other side has to take a backseat. Once the job opportunity showed up, I got busy with preparing my applications and for two interviews as well as saying a very long goodbye to the city of Durham. Admittedly, I started the year in a bit of a writing funk. Fortunately, the weekly poetry dates with Kelly and the monthly poetry book club buoyed the poetry career while I focused on landing that job. This year’s highlights reveal how I was able to keep my toes in the poetry world.

January: Celebrated Living Poetry‘s 6th anniversary party.

February: Wrote poems for 14 Words of Love.

March: Appointed to Durham’s Public Art Committee.

April: Wrote 30 poems for the April 2015 Poem-a-Day Challenge. Organized poets writing at a Science talk and wrote a poem about the Hubble Telescope at the NC Museum of Natural Sciences.

May: Made the final revisions for the chapbook.

June: Chapbook launch and party for My Mother’s Child published by Hyacinth Girl Press.

July: Attended VONA retreat in Miami for writers of color and made so many more wonderful writer friends. Organized a second event and wrote a poem for King Pluto at the Science Talk on at the NC Museum of Natural Sciences. Took the Five-Day Poetry Challenge.

August: Not much writing but I did attend the poetry book club for Charles Wright. Read a poem at the 2015 Gospel Expo fundraiser for Johnson C. Smith University.

September: Read at Two Writers Walk Into a Bar one year after attending the event for the first time. Interviewed by Scott Fynboe for the SAFTACast.

October: Attended the West End Poetry Festival.

November: Started sorting and organizing my books for the big move!

December: Made my final poetic appearance before moving to Massachusetts at Living Poetry’s Holiday Chocolate Open Mic. My Mother’s Child chosen as one of Sundress Authors’ Picks for Best Reads of 2015.

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Five-Day Poetry Challenge


Old paper grunge background - Challenge yourself

Five-Day Poetry Challenge – DONE!

The 5-day poetry challenge is a popular meme where you post one of your poems (preferably published) to your Facebook timeline then tag another poet to continue the challenge. Last week, I was double-tagged by poets Anna Weaver and Elizabeth Jackson. So in true double-life fashion, I decided to post two poems each day—one of my published poems around 9 am and one of my favorite poems about the working world around 5 pm.

I selected poems from the range of themes I tend to visit and revisit in my work:

  1. Work: “Twenty Questions for Black Professionals” from my chapbook, My Mother’s Child (Hyacinth Girl Press, 2015)
  2. Love & Longing: “The Truth about Fire” published in The Pedestal Magazine in 2012
  3. Planets & the Universe: “To Earth, From Mars” published in Construction Literary Magazine in 2014
  4. Family: “At Night I Dream of Trains” published in the Grief issue of When Women Waken in 2013
  5. Tango: “If I Could Love You Like Tango” published in the anthology, …and love…(Jacar Press, 2011)

For the poems about the working world, I picked two of my favorites that I’ve posted to the blog before as well as a few poems that showed work and workers in a more positive light.

  1. “White, White Collars” by Denis Johnson, from The Incognito Lounge, 1982
  2. “Drone” by Wanda Coleman, from African Sleeping Sickness, 1990
  3. “The Gulf” by Brian Brodeur, from The Missouri Review, Winter 2010
  4. “Coming Closer” by Philip Levine, from What Work Is, 1991
  5. “Domestic Work, 1937” by Natasha Trethewey, from Domestic Work, 1999

Here’s the last stanza from the Trethewey poem that always sticks with me.

She beats time on the rugs,
blows dust from the broom
like dandelion spores, each one
a wish for something better.

If you haven’t been tagged, start your own 5-day poetry challenge. I’d love to hear about it.


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Planetary Influences


Transit of Venus June 5, 2012, NASA/Goddard/SDO

Transit of Venus June 5, 2012, NASA/Goddard/SDO

One of the first poems in my chapbook that was published was “Transit of Venus,” which was inspired by the 2012 event that will not happen again until 2117. What I saw with my own eyes (black drop / crossing / the sun / dipping down / curving around / up again) is now visible in some amazing pictures from a joint project between NASA and the Japanese Aerospace Exploration Agency. I consider the Venus poem the first in a series of poems about the planets I intend to write. Last year, Construction Magazine publishedTo Earth, From Mars,” the second planetary poem, and I wrote “Pluto, My Brother” at my last Cave Canem retreat (back in my day there were 9 planets). My poetry-date partner, Kelly, says the Pluto poem is ready to send out, so I’ll be spending some time this weekend in the Poet’s Gym (aka UNC Davis Library) figuring out where it should land.

Photograph via Flickr by bluedharma

Photograph via Flickr by bluedharma

I love writing about the planets and other objects in the universe. They are like our distant relatives: made of the same stuff but existing in a different era. Poetry offers a unique way to consider the beauty and individuality of each body as well as explore the myths and folklore we project onto each globe. I’ve also written  poems about the spacecraft we’ve sent to explore other objects in our universe. My biggest challenge is *getting the science right* inside the poem. Often, the scientific terms are not accessible or pleasant-sounding to the average reader. It’s my job to make the connection between science and metaphor so that we can understand each planet on its own merit as well as how it relates to our own lives.

Tonight, I will get another opportunity to write about Pluto at the Science Cafe at the NC Museum of Natural Sciences. The talk will feature some of the stunning images taken of our dear *dwarf* planet from the New Horizons probe. I can’t wait to see what these new images inspire.

NASA Instagram photo of Pluto from New Horizons

NASA Instagram photo of Pluto from New Horizons

Chapbook Party!

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On Friday, June 26th, I had the launch party for my chapbook, My Mother’s Child. Thanks to my tango-friend Mariana, I was able to have the party at Terra Nova Global Properties new office in downtown Durham. And my friend Janet provided the food, decorations, prosecco, and the real champagne glasses.

 

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After a fabulous introduction by fellow Living Poetry organizer, Bartholomew Barker, I read a four poems from the chapbook and a few others I had written over the last two years. Many in the crowd had followed my April and November poem-a-day challenges and a few had never heard me read before. I’m so thankful to everyone who came out to support me and buy books.

This gallery contains 15 photos


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My Mother’s Child: A Chapbook


11402606_10206120537869576_2450195489782527196_oMy chapbook is finally here, My Mother’s Child published by Hyacinth Girl Press. In my last post, I promised to share the details of this amazing journey.  Although some of these poems were written almost four years ago and about 10 months elapsed from signing the publication contract to publication date, it’s really felt like a serendipitous labor of love.

  1. The Poems. I can trace the origins of some of these poems back to 2011 in my second semester at VCFA. I wrote other poems at two Cave Canem retreats, in response to a visual prompt at my weekly writing group, Written Word, and a workshop through the Raleigh Review. I know many of these poems started as hunks of stone scribbled in my notebooks while commuting on the DRX bus and were later revised during my times at UNC Davis Library (aka The Poet’s Gym). Six poems were previously published; five in 2013 and one in an anthology published in 2014.
  2. The Chapbook. Assembling chapbook is different than putting 3-5 poems together for a journal submission or workshop application packet. The poems have to speak to each other and belong together. After a year of submitting to contests for full-length collections and getting nowhere, I changed my strategy. When I sat down to look at all the poems, they seemed to separate themselves into two groups with a few bridge poems. Depending on the chapbook contest guidelines, I included more or fewer poems. I probably had 3 or 4 different configurations.
  3. The Contest. I entered My Mother’s Child into the Imaginary Friend Press chapbook contest in 2013. I liked this contest because it was specifically for anyone who did NOT identify as a heteronormative white male. Although I was a finalist for this contest, one of the judges, Margaret Bashaar, asked to publish the chapbook through her small press, Hyacinth Girl Press. This could not have happened if I didn’t enter contests and submit my work.
  4. The Cover Art. This amazing sketch was done by a local artist, Jolmar Millar (4th photo). I met Jolmar at a tribute event for Maya Angelou I emceed in November 2014. When Margaret gently nudged me about cover art, it took a while before I thought of Jolmar. And then when she came to mind, I didn’t have her email address. I emailed a mutual contact for Jolmar’s email address and the email went to spam. Then about a month later we were connected.
  5. The Publication Process. This process is no joke, and being a newbie, I didn’t know what to expect. There comes a point where you have to let go. Having a wonderful publisher and layout person helps. I still don’t think I caught everything, so don’t be too hard on me if you find something.

Here’s an excerpt from a poem that started out as an image I couldn’t get out of my head while driving to a poetry-on-demand event at Cloer Family Vineyard in April 2012. The first draft was written at Cave Canem in June 2012.

What makes sense disappears
under straw hats,
this bizarre America,
where they pay
to return to rural
roots my people fled—
that second Exodus
to auto plants, steel mills,
city-hard streets—
so I wouldn’t
have to stand in sweat
tasting the dry,
salted past
on my tongue.– Stuff White People Like #132: Picking Their Own Fruit, from My Mother’s Child – See more at: http://hyacinthgirlpress.com/yearfive/mymotherschild.html#sthash.q08uIMgj.dpuf

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